Showing posts with label Botanic Gardens. Show all posts
Showing posts with label Botanic Gardens. Show all posts

Saturday, 8 September 2018

Spring in Sydney

Last weekend I visited the David Jones Flower Show...to see an indoor display of natives and exotics.






And this weekend I strolled through the Royal Botanic Gardens, taking oodles of photos while trying not to sneeze!










This post is part of Saturday Snapshot.

Saturday, 15 October 2016

Barrangal Dyara by Jonathan Jones, Royal Botanic Gardens

Kaldor Public Art Projects, with artist Jonathan Jones, have celebrated the 200th birthday of the Royal Botanic Gardens in Sydney with a thought-provoking, multi-dimensional project called Barrangal Dyara

In 1879 Sydney hosted the International Exhibition. 
A specially designed building was erected on the edges of the Botanic Gardens to house the exhibition. It was grandly called the Garden Palace.

Tragically the Garden Palace and everything inside was destroyed by fire in 1882.
Stored inside was a huge collection of Gadigal artefacts of cultural and historical significance.

Over a hundred years later, Jones went searching for some of the cultural material from where his family came from. He discovered that most of it was destroyed in the Palace Garden fire.
The sense of loss and forgetting around this event spurred Jones on to find a way to reconnect and understand what happened here.

Perhaps the fire was a kind of cultural burn, regenerating the site for future generations."

The project put together an information booklet for visitors.
In it Jones said,

"as I've worked on the project, the garden palace has become a symbol for the repercussions of forgetting. So many people I've spoken to about the project hadn't known the history of this enormous building that once dominated Sydney's skyline both physically and conceptually. I've begun to question what else we can forget as a community, if something so grand and visible and spoken about has disappeared from our vision. Aboriginal communities have often been the victims of Australia's ability to forget. In this way the Garden Palace became a fault line in the nation's memory, which has enabled the project to bring to the fore other forgotten histories."

Barrangal dyara means 'skin and bones'.
The project consisted of three components - a native meadow of kangaroo grass, thousands of white shields and several soundscapes.

The four different types of shields marked the boundary of the original building.
They also "echo the expansive rubble that remained after the fire."
These shields are "void of unique markings or personal designs, speaking to the erasure of cultural complexities through collection."

The exhibition ran from 17th Sept - 3rd Oct 2016.

My first visit was three days before the official opening.
The crew were still laying the finishes touches to the design.




A week later, I returned to see what all the fuss was about.
But it rained.

So I ducked into the State Library across the road instead.
One of the exhibitions they had on that day featured some paintings from the era of the Garden Palace.

Garden Palace by JT Richardson




It was obviously a dramatic, unforgettable event.
Yet it was forgotten.

When the rain cleared I tried again.
It was difficult to take in the whole design.
Strange angles jutted out, creating spaces that made it hard to see what was inside and what was outside.






As I walked around the large space that was, once upon a time the Garden Palace, the soundscapes followed me. Eight language groups recorded words, songs and sayings to "reinstate contemporary Aboriginal voices into the landscape."
It was a haunting, yet joyful experience.



No matter how much I walked around the space though, my imagination could not take in the whole.
It was too big.

Until I spotted the picture below in the newspaper a couple of days later.
From Time Out Magazine
Finally I felt the full impact of the work!

But I also realised that I had missed the third component - the kangaroo grasses in the very centre of the building where the dome rose up the skies.

"Aboriginal agriculture in the south-east of Australia saw grasslands cultivated and harvested over generations, supporting many nations and diverse cultures. Seeds were transformed into flour to produce bread with grinding stones. Controlled fire was an important tool in the development of these grasslands, and here it acts as a dual metaphor."

So I returned the following week with Mr Seasons to take in the whole thing - shields, voices and grass.



If you'd like to learn more about this project as well as view some of the installation photos please visit their blog here.

This post is part of Saturday Snapshot

Saturday, 23 May 2015

Botanic Gardens - Tree Art Installation

I love all the little hidden gems to be found in any big city when you have the time or opportunity to simply wander off the regular path.

Last week I was meeting a friend in the Botanic Gardens, but the bus driver forgot he still had one passenger left on board! So instead of being dropped off at the eastern entrance to the Gardens, I got the longer, scenic drive around the tip of Mrs Macquarie's Chair before being dropped off.
To meet my friend, I had to walk back up the centre island between the two roads.

And to my delight I found this gorgeous, discreet public art/poetry installation underneath a stand of towering gum trees.
Several glass columns inscribed with tree poems and literary quotes adorned the area. Depending on the light and dappled shade, the columns reflected back various tree-ish images and patterns.

An island of beauty and serenity and reflection that made the unexpected detour seem serendiptious.










I've spent some time on google trying to find out the who, why and when of this lovely installation, but I struck out. If anyone knows more about this work, please leave a comment.

To finish off this lovely walk through the Gardens, I'll show off a couple of 'Sydney in Autumn' pics, just because I can & just because Sydney looks glorious in any season!



It was pretty cool on the ferry trip home, so instead of braving the front of the boat, the sunset pics are filtered through the scratchy glass windows!



This post is part of Saturday Snapshot

Saturday, 23 August 2014

Royal Botanic Gardens Sydney - A Winter View

Today is one of those miserable, wet, gloomy Sydney winter weekends. 
I couple of weeks ago, I went for a stroll through the Botanic Gardens.
Even in the middle of winter, it's possible to spot some colour.

My Top 10 Sydney guide says, 

Located around Farm Cove on the shore of Sydney Harbour is the spectacular Royal Botanic Gardens and Domain. Established in 1816, this oasis in the heart of the city occupies the land on which the first crops were planted. Australia's oldest scientific institution is home to an impressive collection of native and exotic plants and trees. The grounds also house an art gallery and music school.

Woolloomooloo Gate
 The Woolloomooloo Gate was erected in 1873 as the southern entrance to the Gardens.
During the building of the Cahill Expressway (1950's), it was moved to it's current position near the Art Gallery.

Lewis Wolfe Levy Fountain 
Art Nouveau fountain by C.B. Birch surmounted with a bronze statue of a young girl
with a heron and reeds and frogs at the base. Commissioned by the family of
politician and businessman Lewis Wolfe Levy, 1889.

Pauline Dewar
 Botanical illustrators have been associated with research in the National Herbarium of NSW since its opening in 1901. One notable past illustrator was Margaret Flockton. Margaret Flockton was the first and most long-serving botanical illustrator at the Botanic Garden.
Botanical illustrators are invited to submit works of black & white scientific botanical illustration for the prestigious Margaret Flockton Award. 
The Margaret Flockton Award for Scientific Botanical Illustration commemorates her contribution to Australian scientific botanical art. 
The Margaret Flockton Award is open to Australian and overseas artists producing scientific botanical illustrations of a high standard. The judges select works for inclusion in the Margaret Flockton Award Exhibition to be held at the Red Box Gallery in the National Herbarium of NSW.



Hongkong Orchid Tree (my new favourite tree!)




The walk back to the ferry takes me past this little known building!
 I can't walk by without taking a photo or two.

Waiting for the ferry - too many distractions to focus on my book.

Finally the clouds part over the city as I head home.

Almost home - sunshine over Ballast Point Park.
This post is part of Saturday Snapshot.